色控传媒

In Focus

Orthodox Boys 1948 by Bernard Perlin

罢补迟别鈥檚 first acquisition of a work by a contemporary American artist after 1945,聽Orthodox Boys聽is charged with the anxieties and aspirations of Jews in post-war New York. Its graffitied wall offers a constellation of names from the artist鈥檚 own life, examined here in depth for the聽first聽time.

Bernard Perlin
Orthodox Boys 1948
Tempera on board
762 x 1016 mm
罢补迟别听
漏 Bernard Perlin
Photo 漏聽Tate

滨苍听Orthodox Boys聽1948 two Jewish adolescents share a furtive conversation as they wait for the subway in front of a newspaper kiosk in Lower Manhattan. Painted while Bernard Perlin was living on the Lower East Side, this work provides insight into the experiences of Jews living in New York and America more聽widely.

As well as discussing the social, political, artistic and personal contexts in which Orthodox Boys was created and received, this In Focus investigates the circumstances surrounding the painting鈥檚 acquisition by Tate in 1950.聽Orthodox Boys聽owes its place in 罢补迟别鈥檚 collection primarily to Lincoln Kirstein, a figure responsible for championing a number of American visual artists at home and abroad. The painting聽became a symbol of the museum鈥檚 increasingly international scope and a key inspiration to聽British聽artists.

Published in August 2016, the project is edited by Professor Aaron Rosen (Rocky Mountain College) and includes essays from Professor Erika Doss (University of Notre Dame) and Professor Samantha Baskind (Cleveland State University) alongside those by Professor聽Rosen.

This In Focus project was made possible through support from the Terra Foundation for American聽Art.

滨厂叠狈听978-1-84976-560-2

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