Mertle Merman (performance artist Caroline Smith) and Cardinal Paul Green invite you to join them as they uncover and examine feelings of shame in Tate Britain’s BP Walk through British Art, moving between the comic, serious and the confessional.
Exploring the moral complexities of art and artists in the collection, their performative, light-hearted tour of the galleries follows on from hosted in early summer 2012 at MK Gallery in Milton Keynes, where they took a satirical look at the concepts of shame and the trivialisation of people’s emotions by the mass media.
Caroline Smith is a performance artist whose work explores the peripheries of stand-up comedy and art. In her Mertle persona she has previously looked at people’s complex relationships with food. Mertle herself is from another time, the 1950s, where a housewife was as adept at emotional self-restraint as she was with making a Victoria sponge and consequently she acts a repository for people’s intimate moments of self-doubt or insecurity. Mertle becomes a non-judgemental listener and the audience become increasingly aware that beneath the confidently domestic exterior is a woman who shares their insecurities and self-doubt.
For this performance Caroline collaborates with Paul Green, also appearing in character as Cardinal Paul, whose ongoing curatorial project In Every Dream Home a Heartbreak takes a fresh look at sexuality and gender representation in non-mainstream culture.