Turner Prize 1995 poster
Damien Hirst Turner Prize 1995 installation view
Damien Hirst (right) at the Tate after receiving the Turner Prize with artists Michael Craig-Martin (left) and Grenville Davey (centre), 1995
Shortlist
- Mona Hatoum 鈥撀爊辞尘颈苍补迟别诲
- Damien Hirst 鈥撀爓颈苍苍别谤
- Callum Innes 鈥撀爊辞尘颈苍补迟别诲
- Mark Wallinger 鈥撀爊辞尘颈苍补迟别诲
Hirst鈥檚 avant-garde art is back for second-attempt聽win
In 1995 exhibition attendance figures swelled, in part due to the debate aroused by the inclusion of Damien Hirst鈥檚 Mother and Child, Divided a sculpture comprising a bisected cow and calf. The work quickly gained notoriety, provoking impassioned responses from the media and public who berated and celebrated it in equal measure. Mona Hatoum鈥檚 video installation Corps 茅tranger, featuring the eye of a medical camera journeying through the artist鈥檚 body, also attracted unwanted tabloid attention. The launch of 罢补迟别鈥檚 Art Now programme in this year, a gallery dedicated to emerging artists, cemented the museum鈥檚 commitment to contemporary聽art.
Jury
- William Feaver, art critic, The Observer
- Gary Garrels, Curator of Contemporary Art, San Francisco Museum of Modern Art
- George Loudon, representative of the Patrons of New Art Elizabeth Macgregor, Director, Ikon Gallery, Birmingham
- Nicholas Serota, Director, Tate Gallery
Turner Prize 1995 in聽quotes
It鈥檚 amazing what you can do with an E in A-Level art, a twisted imagination and a chainsaw.
Damien Hirst鈥檚 acceptance speech, 1995
How anyone can consider a stuffed cow as art must lie even beyond the most illiterate mind. I fear you have smeared the great name of Turner with this 鈥渨aste of space鈥.
Letter from a member of the public to Tate, November 1995
My sixteen-year-old daughter was at The Tate two weeks ago, as part of her A-Level Art course, and having seen this particular exhibit, has suffered nightmares, poor sleeping and cannot eat beef as it makes her feel sick.
Letter from a member of the public to Tate, December 1995
It鈥檚 going to be Hirst 鈥 he has done more for British art than any artist of his generation. To pass him over would be like the Booker Prize鈥檚 failure to recognise Martin Amis.
Richard Dorment, The Daily Telegraph, November聽1995
