Anthea Hamilton, Venice The Espresso Edit 2011, video still
Steven Claydon, The Ancient Set 2008, video still
Max Hattler, Sync 2010, video still
Semiconductor, Black Rain 2009, HD video still
Rachel Reupke, Containing Matters of no very peaceable Colour 2009, video still
Simon Payne, Vice Versa Et Cetera 2010, video still
Alia Syed, Priya, 2009–11 Film still
Aurélien Froment, Second Gift 2010
Ed Atkins Death Mask II: The Scent 2010
Through layering and synchronising colour, line and frame, these films span pop assemblage and enquiries into visual perception, playing on the flat surface of digital imaging. This screening is followed by a discussion with the artists chaired by curator and critic Isobel Harbison.
- ¶Ù´Ç·É²Ô±ô´Ç²¹»åÌýComposite I & II programme notes [PDF, 2445 Kb]
Second Gift
Aurélien Froment 2010–12, HD video, 8 min 35 sec
Venice – The Espresso Edit
Anthea Hamilton, 2011, video, 5 min
The Ancient Set
Steven Claydon, 2008, video, 9 min
Sync
Max Hattler, 2010, video, 9 min
Priya
Alia Syed, 2009–11, 16 mm film, 9 min
Funded by Arts Council England and Southampton Solent University. Dancer: Priya Puwar Â
Black Rain
Semiconductor, 2009, HD video, 3 min
Containing Matters of no very peaceable Colour
Rachel Reupke, 2009, video, 5 min 11 sec
Vice Versa Et Cetera
Simon Payne, 2010, video, 10 min
Death Mask II: The Scent
Ed Atkins, 2010, HD video, 8 min
This programme is paired with Assembly: Composite I on Sunday 9 March 2014