Showing 1,541–1,560 of 1,592 results
Los Moscos - 2
Why this title? Tate guide Amy Lin
Pavilion Suspended in a Room I
There is more than meets the eye. Tate guide Amy Lin
The Passing Winter
Peek through the holes. What can you see? Tate guide Amy Lin
Equivalent VIII
Could this be a self-portrait? Tate guide Sue Hammerson
Fountain
Could this be a self-portrait? Tate guide Sue Hammerson
Behold
What materials did Gowda use? Tate guide Sue Hammerson
Pink Tons
How would you label this work? Tate guide Amy Lin
Judd, Untitled
This is a minimilist piece. Tate guide Amy Lin
Cadeau
This was made to be gifted. Tate guide Sue hammerson explains
Achrome
What was Manzoni trying to achieve? Tate guide Sue Hammerson
Snail
Why did Matisse make cut-out paintings? Tate guide Sue Hammerson
Composition B (No.II) with Red
What was Mondrian trying to achieve? Tate guide Sue Hammerson
Cage (1) - (6)
What are these paintings about? Tate guide Sue Hammerson?
Rothko - 3
Rothko was a colour field artist. Tate guide Sue Hammerson
Rothko - 4
Why did Rothko refuse to complete his commission? Tate guide Sue Hammerson
Schad - Self Portrait
This painting is typical of the new objectivity movement of 1920s Germany. Tate guide Sue Hammerson
160 cm Line Tattooed on 4 People
What questions does this work raise? Tate guide Amy Lin
Zoe Whitley on Ronald Moody Johanaan 1936
Curator Zoe Whitley talks about how Ronald Moody was inspired to make this work
Gates Sofer on Barbara Hepworth's Forms in Echelon
Sculpture conservator Gates Sofer explores the materials used in this sculpture, and the artist Barbara Hepworth tells us about some …
Richard Scott on Francis Bacon's Three Studies for Figures
Poet Richard Scott explains what this painting means to him