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‘Mahomed Tahir Khan, Aslam Khan &c of Ghazni.’

‘Nautch Girls.’ These dancing girls would have performed for the Emir in his private chambers and were a popular motif for Indian photographers like Burke. Because they are not Muslim women, they could take employment as dancers and could show their faces

John Burke

1878–80, printed by Simon Norfolk 2011

View by appointment

‘The Amir Yakub Khan, General Daod Shah, Habeebula Moustafi with Major Cavagnari C.S.I. and Mr Jenkyns.’ Proud and imperious, Cavagnari was chosen by the British as their envoy in Kabul knowing his arrogance would soon produce a casus belli. Within four m

John Burke

1878–80, printed by Simon Norfolk 2011

View by appointment

‘Camp and Abattis At Sherpur. 5th Punjab Infantry. 25th Dec 1879.’ This picture was taken two days after one of the fiercest battles of the war. A force of 50,000 Afghans besieged and then attacked the Cantonment and had been repulsed by the defenders mak

John Burke

1878–80, printed by Simon Norfolk 2011

View by appointment

‘Mackeson’s Bridge.’ Long trains of pack animals carried all the British supplies from India through the passes into Afghanistan. Up to 40,000 camels were employed. In fact, so many were requisitioned from northern India that it is thought that their loss

John Burke

1878–80, printed by Simon Norfolk 2011

View by appointment

‘Attock from Khyrabad.’ This picture of the military bridge across the Indus appeared in Burke’s Afghan albums but was actually shot in 1863 during the Ambela Campaign. It is signed by William Baker to whom Burke was apprenticed, but its inclusion in the

John Burke

1878–80, printed by Simon Norfolk 2011

View by appointment

‘Guns Captured at Ali Musjid.’ Burke photographed lines of captured enemy material on several occasions. The pictures were popular back in the Imperial homeland, giving the impression that the war was successful and therefore justified. Support faltered l

John Burke

1878–80, printed by Simon Norfolk 2011

View by appointment

‘The Dewan-I-Aum in Bala Hissar, Shewin Bala Burj & Sherderwaza.’ After the capture of the Bala Hissar, the British quartered Gurkha soldiers in the ruins of the Royal Palace and gardens and the summerhouse that had been the British Mission.

John Burke

1878–80, printed by Simon Norfolk 2011

View by appointment

‘Landi Kotal Camp. Looking East Towards Ali Musjid.’

John Burke

1878–80, printed by Simon Norfolk 2011

View by appointment

‘Shergai Heights looking towards Ali Musjid.’

John Burke

1878–80, printed by Simon Norfolk 2011

View by appointment

‘Durbar in Sherpur Cantonments.’ A thin crowd of onlookers watches a British ceremonial display before a tent crowded with dignitaries.

John Burke

1878–80, printed by Simon Norfolk 2011

View by appointment

‘Bala Hissar Palace. Cabul.’

John Burke

1878–80, printed by Simon Norfolk 2011

View by appointment

‘Bala Hissar Palace. Cabul.’

John Burke

1878–80, printed by Simon Norfolk 2011

View by appointment

‘Another view of the Camp.’ The British Cantonment at Sherpur waiting for an imminent attack by Afghan forces.

John Burke

1878–80, printed by Simon Norfolk 2011

View by appointment

‘Ali Musjid & Camp from Sultan Tarra.’

John Burke

1878–80, printed by Simon Norfolk 2011

View by appointment

‘The “Residency”. From outside of Bala Hissar.’ The Residency had been the British Mission in Kabul and its destruction and the killing of its staff provided the pretext for a full-scale British invasion.

John Burke

1878–80, printed by Simon Norfolk 2011

View by appointment

‘Panorama Of The City of Cabul & Surroundings. Taken from Bala Bohj. Shepur in the Distance.’

John Burke

1878–80, printed by Simon Norfolk 2011

View by appointment

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Showing 21–37 of 37 results

‘Mahomed Tahir Khan, Aslam Khan &c of Ghazni.’

‘Nautch Girls.’ These dancing girls would have performed for the Emir in his private chambers and were a popular motif for Indian photographers like Burke. Because they are not Muslim women, they could take employment as dancers and could show their faces

‘The Amir Yakub Khan, General Daod Shah, Habeebula Moustafi with Major Cavagnari C.S.I. and Mr Jenkyns.’ Proud and imperious, Cavagnari was chosen by the British as their envoy in Kabul knowing his arrogance would soon produce a casus belli. Within four m

‘Camp and Abattis At Sherpur. 5th Punjab Infantry. 25th Dec 1879.’ This picture was taken two days after one of the fiercest battles of the war. A force of 50,000 Afghans besieged and then attacked the Cantonment and had been repulsed by the defenders mak

‘Mackeson’s Bridge.’ Long trains of pack animals carried all the British supplies from India through the passes into Afghanistan. Up to 40,000 camels were employed. In fact, so many were requisitioned from northern India that it is thought that their loss

‘Attock from Khyrabad.’ This picture of the military bridge across the Indus appeared in Burke’s Afghan albums but was actually shot in 1863 during the Ambela Campaign. It is signed by William Baker to whom Burke was apprenticed, but its inclusion in the

‘Guns Captured at Ali Musjid.’ Burke photographed lines of captured enemy material on several occasions. The pictures were popular back in the Imperial homeland, giving the impression that the war was successful and therefore justified. Support faltered l

‘The Dewan-I-Aum in Bala Hissar, Shewin Bala Burj & Sherderwaza.’ After the capture of the Bala Hissar, the British quartered Gurkha soldiers in the ruins of the Royal Palace and gardens and the summerhouse that had been the British Mission.

‘Landi Kotal Camp. Looking East Towards Ali Musjid.’

‘Shergai Heights looking towards Ali Musjid.’

‘Durbar in Sherpur Cantonments.’ A thin crowd of onlookers watches a British ceremonial display before a tent crowded with dignitaries.

‘Bala Hissar Palace. Cabul.’

‘Bala Hissar Palace. Cabul.’

‘Another view of the Camp.’ The British Cantonment at Sherpur waiting for an imminent attack by Afghan forces.

‘Ali Musjid & Camp from Sultan Tarra.’

‘The “Residency”. From outside of Bala Hissar.’ The Residency had been the British Mission in Kabul and its destruction and the killing of its staff provided the pretext for a full-scale British invasion.

‘Panorama Of The City of Cabul & Surroundings. Taken from Bala Bohj. Shepur in the Distance.’

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Refine your search

Artist

Appointment venue

Room

Subject

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On display at

Type

Showing 21–37 of 37 results

‘Mahomed Tahir Khan, Aslam Khan &c of Ghazni.’

‘Nautch Girls.’ These dancing girls would have performed for the Emir in his private chambers and were a popular motif for Indian photographers like Burke. Because they are not Muslim women, they could take employment as dancers and could show their faces

‘The Amir Yakub Khan, General Daod Shah, Habeebula Moustafi with Major Cavagnari C.S.I. and Mr Jenkyns.’ Proud and imperious, Cavagnari was chosen by the British as their envoy in Kabul knowing his arrogance would soon produce a casus belli. Within four m

‘Camp and Abattis At Sherpur. 5th Punjab Infantry. 25th Dec 1879.’ This picture was taken two days after one of the fiercest battles of the war. A force of 50,000 Afghans besieged and then attacked the Cantonment and had been repulsed by the defenders mak

‘Mackeson’s Bridge.’ Long trains of pack animals carried all the British supplies from India through the passes into Afghanistan. Up to 40,000 camels were employed. In fact, so many were requisitioned from northern India that it is thought that their loss

‘Attock from Khyrabad.’ This picture of the military bridge across the Indus appeared in Burke’s Afghan albums but was actually shot in 1863 during the Ambela Campaign. It is signed by William Baker to whom Burke was apprenticed, but its inclusion in the

‘Guns Captured at Ali Musjid.’ Burke photographed lines of captured enemy material on several occasions. The pictures were popular back in the Imperial homeland, giving the impression that the war was successful and therefore justified. Support faltered l

‘The Dewan-I-Aum in Bala Hissar, Shewin Bala Burj & Sherderwaza.’ After the capture of the Bala Hissar, the British quartered Gurkha soldiers in the ruins of the Royal Palace and gardens and the summerhouse that had been the British Mission.

‘Landi Kotal Camp. Looking East Towards Ali Musjid.’

‘Shergai Heights looking towards Ali Musjid.’

‘Durbar in Sherpur Cantonments.’ A thin crowd of onlookers watches a British ceremonial display before a tent crowded with dignitaries.

‘Bala Hissar Palace. Cabul.’

‘Bala Hissar Palace. Cabul.’

‘Another view of the Camp.’ The British Cantonment at Sherpur waiting for an imminent attack by Afghan forces.

‘Ali Musjid & Camp from Sultan Tarra.’

‘The “Residency”. From outside of Bala Hissar.’ The Residency had been the British Mission in Kabul and its destruction and the killing of its staff provided the pretext for a full-scale British invasion.

‘Panorama Of The City of Cabul & Surroundings. Taken from Bala Bohj. Shepur in the Distance.’

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