ɫ�ش�ý

Resources

Supplementing the photographs, sources and documents that run throughout this publication, the resources here offer further depth and insight, with many examples originating in the Tate Archive. These are arranged in four categories – photographs, films and videos, reviews and articles, and documents – each providing further links to related essays and resources.

Film and Video

Vito Acconci: Three Radical Actions

A pioneer of performance art talks about three groundbreaking actions he staged in New York in 1972
Nan Goldin: 'My work comes from empathy and love'

The photographer introduces her latest book, Eden and After

Photographs

projections in a gallery space — Charles Atlas, MC9 2012 as part of ‘Charles Atlas and Collaborators’, 2013, BMW Tate Live, The Tanks, ɫ�ش�ý.
Photo: Gabrielle Fonseca Johnson for Tate Photography © Charles Atlas and Tate

Joseph Beuys, Information Action 1972 — Joseph BeuysInformation Action 1972Performed at the Tate Gallery, 26 February 1972
Photo: Simon WilsonTate Archive Photographic Collection: Seven Exhibitions 1972

Tania Bruguera, Tatlin’s Whisper #5 2008, blocking entrance 2 — Tania BrugueraTatlin’s Whisper #5 2008Performed as part of UBS Openings: Live – The Living Currency, ɫ�ش�ý, 26–7 January 2008
Photo © Tate© Tania Bruguera

César (left) and Pierre Restany at the Tate Gallery, 5 March 1968 — Artist César (left) and critic Pierre Restany at the Tate Gallery on the occasion of César’s untitled ‘action-happening’ on 5 March 1968
Tate Archive Photogaphic Collection: César

Bojana Cvejić and Christine De Smedt, Spatial Confessions – Moving Part 2014 — Bojana Cvejić and Christine De Smedt, Spatial Confessions – Moving Part 2014 As part of BMW Tate Live: Events Series, ɫ�ش�ýPhotograph
© Tate

Bojana Cvejić and Christine De Smedt, Spatial Confessions: Speaking Part 2014 — Bojana Cvejić and Christine De SmedtSpatial Confessions: Speaking Part 2014Performed 24 May 2014 as part of BMW Tate Live, Starr Auditorium, ɫ�ش�ý
Photo © Tate

Installation view of the Robert Morris retrospective, Tate Gallery, 1971 Tate © Robert Morris

Installation view of Bodyspacemotionthings, ɫ�ش�ý, 2009 — Robert MorrisBodyspacemotionthings 2009Presented as part of UBS Openings: The Long Weekend – Energy and Process, 22–25 May, extended to 14 June 2009
Photo © Tate

Klein performing a Judo throw — Klein performing a Judo throw
Tate Photographic Archive

Reviews and Articles

15 Minutes of Shaking the Tate, essay by Cecilie Gravesen

Tshepo Mokoena, 'All the fun of the carnival – with added turbine power', Guardian, 21 April 2014

Pierre Restany, ‘Modern Magic at the Tate’, Studio International, June 1968, vol.175, no.901, pp.332–3.

John Whitley, ‘The Expanding World of Art’, Sunday Times, 3 March 1968

Documents

Actions and Interruptions programme notes p.4 of 6

Letter from Nina Jan Beier and Marie Jan Lund to members of staff at Tate

Marc Camille Chaimowicz, ‘Notes towards a coreography [sic] regarding the re-enactment of the Performance Partial Eclipse’

Boris Charmatz, Flip Book 2008, programme notes, p.1 of 2

Explanation of the importance of collecting Rebecca Horn’s body-sculpture works, submitted to the Heritage Lottery Fund as part of an application to acquire the body of work (1 of 2)

Allan Kaprow, Poster for Fluids 1967 — Allan KaprowPoster for Fluids 1967
© Allan Kaprow EstateCourtesy Hauser & Wirth, Zürich and London

Bruce McLean, Good Manners and Physical Violence 1985, preliminary plans for the performance, Tate Archive — Bruce McLeanGood Manners and Physical Violence 1985Performed 2–8 September 1985 at Tate GalleryDocument detailing the preliminary plans for the performance, from the Tate Archive
Photo © Tate© Bruce McLean

Press release for Robert Morris, Tate Gallery, 1971 — Press release for Robert Morris, Tate Gallery, 1971
Tate Archive TG 92.236.3

Aldo Tambellini, Retracing Black 2012, programme notes p.3 of 3