The knowledge generated during Cleaning Modern Oil Paints (CMOP) is disseminated through conferences, publications in peer-reviewed journals, research posters and articles aimed at practicing conservators, conservation students and heritage scientists.
A list of all the project-related publications is published here. Click on the links below to access the full article or abstract.
- Banti, D., La Nasa, J., Lluveras Tenorio, A., Modugno, F., van den Berg, K.J., Lee, J., Ormsby, B., Burnstock, A., and Bonaduce, I. (2018). ''. RSC Advances, 2018, 8, 6001-6012. [OPEN ACCESS]
- Bay, L., A. Burnstock, J. Lee, B. Ormsby, and van den Berg, K.J. (2017). ''. In ICOM-CC 18th Triennial Conference Preprints, Copenhagen, 4–8 September 2017, ed. J. Bridgland, art. 1302. Paris: International Council of Museums. [OPEN ACCESS]
- van den Berg, K.J. (2016). ‘Making paint in the 20th century: the Talens Archive’. Colour Change in Easel Paintings. Eds. R. Clarricoates, H. Dowding and A. Gent. Archetype Publications Ltd, London, pp.43-50.
- van den Berg, K.J., (2017). 'Notes on metal soap extenders in modern oil paints - history, use, degradation and analysis. In Casadio, F. et al. (eds.). 2017. Metal Soaps in Art – Conservation & Research. New York: Springer.
- van den Berg, K.J., (2017). 'History Made Accessible: Art Technological Journal «Die Technischen Mitteilungen für Malerei» Now Online'. In d’Ayala Valva, M. et al. (eds.), 2017. Materiali d’artista: l’atelier del pittore nell’Otto e Novecento. Pisa: Edizioni della Normale, pp.213-216.
- Burnstock, A., Lee, J., van den Berg, K.J., and Ormsby, B. (2016). ‘Water sensitivity of modern oil paints films’. Colore e Conservazione, 13–14 November 2015, Politecnico di Milano. Padova: CESMAR7/Il Prato, pp. 66-76. [FULL TEXT AVAILABLE]
- Burnstock, A., (2016). 'Becoming Picasso: Paris 1901. A Technical Study of Child with a Dove'. Wallert, A. (ed.), 2017. History, Materials and Studio Practice, 5th International Symposium, Rijksmuseum, 18-20 September 2013. Amsterdam: Rijksmuseum, pp.250-7.
- Chung, J.Y., B. Ormsby, J. Lee, A. Burnstock, and van den Berg, K.J. (2017). ''. In ICOM-CC 18th Triennial Conference Preprints, Copenhagen, 4–8 September 2017, ed. J. Bridgland, art. 1309. Paris: International Council of Museums. [OPEN ACCESS]
- van Dam, E. et al. (2016). . Int. J. Mass Spectrometry, 10, 2016, Elsevier Amsterdam.
- van Driel, B.A. et al. (2017). ‘’. Spectrochim. Acta, 172, 2017, Elsevier Amsterdam, pp. 100-8.
- King, A., Townsend, J.H., Ormsby, B., Angelova, L. and Lee, J. (2018). 'The Three Dancers, 1925 by Picasso'. In Joyce H Townsend, Annette King and Adèle Wright (eds). 2018. Picasso, Picabia, Ernst: New Perspectives. London: Archetype, pp.30-43.
- La Nasa, J., Lluveras Tenorio, A., Modugno, F., and Bonaduce, I. (2018). ''. Heritage Science, 2018, 6:57. [OPEN ACCESS]
- La Nasa, J., Modugno, F., Aloisi, M., Lluveras Tenorio, A., and Bonaduce, I. (2018). ''. Analytica Chimica Acta, Vol. 1001, 25 February 2018, pp.51-58.
- La Nasa, J., Degano I., Brandolini L., Modugno F., Bonaduce I. (2018). ''. Analytica Chimica Acta, Vol. 1013, 9 January 2018, pp.98-109.
- Lee, J., Bonaduce, I., Modugno, F., La Nasa, J., Ormsby, B., and van den Berg, K.J. (2018). ''. Microchemical Journal, Vol. 138, May 2018, pp.282–295. This paper was awarded the National Heritage Science Forum (UK) Gold Open Access Award. [OPEN ACCESS]
- Lee, J., Ormsby, B., Burnstock, A., Schilling, M., and van den Berg, K.J. (2017). ''. In ICOM-CC 18th Triennial Conference Preprints, Copenhagen, 4–8 September 2017, ed. J. Bridgland, art. 1604. Paris: International Council of Museums. [OPEN ACCESS]
- Ormsby, B., and Lee, J. (2016). ‘Colour change and Modern Paints: An Overview’. Colour Change in Easel Paintings. Eds. R. Clarricoates, H. Dowding and A. Gent. Archetype Publications Ltd, London. pp.53–72.
- Ormsby, B., and Learner, T. (2016). . The GCI Newsletter, v. 31, n. 2 (Fall 2016). [OPEN ACCESS]
- Perchuk, A., Rivers, L., and Phenix, A. 2017. ‘Making Mural: Technical Analysis and Interpretation’, Getty Research Journal 9 (Supplement 1): 27-60.
- Phenix, A., and Graczyk, A. Postprints of the Paintings Specialty Group session, American Institute for Conservation meeting 2014, San Francisco (Vol.27). Buckley, B. (Ed.), American Institute for Conservation.
- Phenix, A., (2017). ‘For the Record and Straight from the Horse’s Mouth: Frederick Hammersley’s Accounts of His Painting Process and Materials’. In Frederick Hammersley, To Paint Without Thinking, Ed. James Glisson. San Marino, CA: The Huntington Library, Art Collections, and Botanical Gardens, pp.32-50.
- Phenix, A., Soldano, A, van den Berg, K.J, van Driel, B. (2017). ‘'. In ICOM-CC 18th Triennial Conference Preprints: "Linking Past and Future" , Copenhagen, 4-8 September 2017, ed. Janet Bridgland. Art. 0104. ICOM Committee for Conservation. Paris: ICOM-CC. [OPEN ACCESS]
- Volk, A. (2016). ‘A partially water-sensitive oil painting by Karel Appel: Technical Investigation and a tailored approach to surface cleaning’. Zeitschrift für Kunsttechnologie und Konservierung, 1, 2016, Wernersche Verlags-geselschaft, Worms am Rhein, pp.150-66.
FINAL PROJECT PUBLICATION
K.J. van den Berg, I. Bonaduce, A. Burnstock, B. Ormsby, L. Carlyle, G. Heydenreich, M. Scharff and K. Keune (eds), Conservation of Modern Oil Paintings, Springer International Publishing, Switzerland 2019, .
Created in April 2017. Last revised in June 2021.